Film
I find the ‘sonic discovery’ work with a filmmaker incredibly rewarding: what’s the true sound of this story you’ve lived with for so long?
Scroll through to explore the films I’ve had the pleasure of working on—ranging from orchestral scores to hybrid soundscapes, and even crafting synths from the ney flute, among many other creative adventures.
Highlights include films with Oscar-nominated Shine Global & Milkhaus, as well as a film produced by Adam Pearson. Past work features Baba I’m Fine, which premiered at SXSW 2025;To Fade Away, which premiered at Cleveland FF 2025; & Ebb & Flow, which premiered at the Tribeca Film Festival 2024.
Selected Credits
Arranged and transcribed music for all the cut scenes.
I create a sense of subtle doom as the levity of Ahlam’s situation is gradually revealed.
Wrote a pop song to follow our lead’s love story, and weaved throughout the sound design for their run through Beirut. A lot of nuance.
Camille needed classic scoring chops to elevate the stakes of the main character. His main theme guides the film.
Hannah wanted to create a sensation of being inside a snow globe with these people, the music is light and magical.
Arranged band parts and produced a new recording of Vivaldi’s Mandolin Concerto.
A grand beginning to this body ritual slowly unravels. I track the character’s descent to body hatred.
Brought out the introspection and rage that a teenager often feels all at the same time.
Orchestrated and expanded upon the composer’s main themes, particularly experimenting with textures.